Exciting News for Tanith Lee Fans

We have some exciting news we’d like to share. In December, we’ll be releasing a previously unpublished fiction work by Tanith Lee called ‘At the Court of the Crow’, which is something of a legend among core fans, because Tanith spoke about it, yet it never appeared in print.

John Kaiine has only recently asked if we’d like to publish this work, and because it needs nothing doing to it, save being scanned from a very clean manuscript and then copy edited, we thought a Yule release would be ideal for it. The truth is, we couldn’t wait to bring it out and didn’t want fans to have to wait too long for it either!

At the Court of the Crow’ was intended to be the start of a much longer novel, but Tanith only completed this first section, which stands alone perfectly well as a novella. This will probably be the last previously-unpublished longer work of Tanith’s her readers will ever see, so it’s very special. It’s beautifully written, and hauntingly strange, which makes the fact it was never completed even more poignant.

At the court of the crow web

John has provided some material from an interview Tanith did in 2011, which sheds light on this mysterious story.

Tanith Lee:

“[At the Court of the Crow] is an unfinished work which was offered here and there as an example of the finished novel I wanted to write. Responses were negative or strangely confused. No one bought the work. And so far I haven’t completed it. It is, this one, an (to me) interesting and weird project. A rural place, feeling somewhat 1900, but where stars crash on the ground by night. Something apocalyptic happened, it seems, some years before, and civilization ground to a halt. There is the House, and the Town, and the Plain between, where you must Never venture after dark for fear of the peculiar and lethal creatures that teem there. And then the Old Man turns up, gorgeous of voice, unholy and persuasive of character. To the lonely, obscure young woman (oh, her again!) trapped in the house, with her cruel and ridiculous relatives, does he represent a way out, or the way… to Hell? Or both.”

We hope all appetites are whetted for this rare, delicious work. Cover art by John Kaiine, design by Danielle Lainton. More details, such as precise release date and cover price, to follow soon.

New Titles for the Dog Days!

The Dog Days are now upon us, and for a few days at least the UK has sweltered in the kind of intense shimmering heat commonly associated with the heliacal rising of Sirius!

We will be releasing 3 new titles on 1st August, along with the ‘official launch’ of ‘The Green Stone’ by Graham Phillips and Martin Keatman. Although we released the book earlier in the year, the text has been slightly revised to correct a few errors. Graham also plans to promote the title, now that he has more time, following the release of his recent ‘Wisdom-Keepers of Stonehenge’.

Also released on 1st August is ‘Coming Forth by Day: A System of Khemetic Magic Book One’ by Storm Constantine – quite appropriate for the Dog Days, as this time of year was of prime significance in Ancient Egypt (or Khemet as it as known in the past), not only because of Sirius’s rising with the sun but because of the annual inundation of the Nile. Storm’s new magical system includes visualisations she created for her teaching workshops in Egyptian (Khemetic) Magic and also her correspondence course, as well as a wealth of fresh material formulated for the magical group she works with. This first book concentrates upon the Ennead, the ‘royal family’ of deities associated with Heliopolis, counting among them such celebrated gods and goddesses as Isis, Osiris, Set and Nut. Storm has written both a pathworking and a full ritual for each of the nine members of the Ennead, plus members of their extended family – Horus, (the son of Isis and Osiris), Serket, (the consort of Horus), the Sons of Horus, Anubis (the son of Osiris by Nephthys), Anput (consort of Anubis) and Kebechet (their daughter). Storm discusses the ethics of magic and how we can interpret ancient deities for our modern times. She also provides information on the magical purpose of each deity, what offerings you can give during ritual, and how to construct sacred space with an Ancient Egyptian theme. As with Storm’s best-selling ‘Sekhem Heka’ (Immanion Press 2008), which offered a new system of healing based upon the practices and deities of Ancient Egypt, ‘Coming Forth by Day’ presents vibrant workings, pertinent to our times, and a host of information and ideas, while remaining respectful of the origins of these ancient deities.

The book will be released in both paperback and eBook form. The printed book will contain extra illustrations by Storm herself, while both formats will include many pictures by Ruby and Danielle Lainton. The beautiful cover art is by Danielle Lainton.

The new publicity drive for ‘The Green Stone’ is to coincide with the build up to the Green Stone 40th Anniversary Convention on 26th/27th October, which will be held in Wolverhampton, UK. Click here for more details: Green Stone Convention. Immanion Press will be present at the event to sell books. Authors Andrew Collins, Graham Phillips, Storm Constantine, Richard Ward, Deborah Cartwright, and Caroline Wise will be on hand to sign copies of the books they worked on for Immanion Press: SHE: Primal Meetings with the Dark Goddess by Storm Constantine and Andrew Collins (with articles by Deborah Cartwright, Richard Ward and Caroline Wise); Zodiac of the Gods by Storm Constantine and Graham Phillips (writing as Eden Crane) and of course ‘The Green Stone’. We’ll be giving more details of this convention nearer to the time, but anyone wishing to secure a ticket may use the URL above to reach Andrew Collins’ web site, which gives all the information. Books will be subject to a discount for the event.

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We also have two new fiction titles out on 1st August.

‘Scatterstones’ by Fiona Lane is a Wraeththu Mythos novel. Fiona was fascinated by the idea of the Gimrah tribe in Jaddayoth, who had a minor role in Storm’s third Wraeththu book, ‘The Fulfilments of Fate and Desire’. Ideas inspired by this landscape developed into Fiona’s story of Hanu, a young eskev of the estemble (or horse farm) known as Scatterstones. He’s rather an outsider and feels more affinity for the horses he cares for than for other hara. When the foal Tezuk is born, Hanu feels very close to the horse, even though he proves to be intractable and wild – also an outsider among his kind. When tragedy hits Scatterstones, only Hanu knows the truth behind it and how a terrible threat hangs over his home. But nohar will believe him. He realises he must deal with this looming danger alone, with only the part-feral Tezuk to aid him. With an introduction by Storm Constantine, the book has cover art by Danielle Lainton featuring the landscape depicted in the story.

Our second August fiction title is ‘Love in a Time of Dragons’, Immanion Press’s latest collection of Tanith Lee’s rare and uncollected tales. ‘A time of dragons’ might conjure the image of a fantastical medieval world, with knights dark and light, clever sorcerers and witches, doomed kings and charmed innocents. Love might seem to be very much a part of such a world, where passions rage and honour fires the blood. But the truth is that dragons come in many guises, even into modern times. As does love. Even in Tanith Lee’s most fantastical fairy tale worlds and medieval fantasies, the beating heart within her stories reveal aspects of the human condition – its weaknesses and strengths, its passions, its yearning. In this volume of tales, most of which have not been collected before, the author takes up her sword to face the dragons – not to slay them, but to see their stories reflected in the blade. For be sure they each have one to tell… Contents: Love in a Time of Dragons; Uous; Age; Battle; The Champion; Exalted Hearts; King’s Mage; Saxon Flaxen; The War That Winter Is; After I killed Her; The Demoness; Northern Chess; Sun City; Three Days; The Mermaid

The book has an introduction by Craig Laurence Gidney (author of ‘Skin Deep Magic’ and ‘Sea, Swallow Me’). The cover art is by John Kaiine and its design by Danielle Lainton. Storm has created 8 black and white illustrations for the interior. These illustrations will not be in the eBook of the title.

The eBook versions of the books will be released in September.

Our summer book launch will be held this coming Thursday (1st August) at the appropriately-named The Dog House in Stafford. Details on Immanion Press Facebook Page. This event is co-hosted by Hart Magical Gifts. We will have copies of all our main titles at the event, and Storm and Graham will be on hand to sign their books.

The Dog House, Stafford

Hart Magical Gifts, Natural Healing

 

Interview with Author Fiona McGavin

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IP: When did you begin creating stories? Were you an imaginative child? What are your earliest memories of writing/being creative?

FM: I don’t remember a time when I wasn’t making up stories. I remember being about 3 or 4 years old and being in bed making up a story in my head about a boy called Navy Blue. Apart from having to write stories at school, I probably started writing them down when I was about 12 years old. Paper was like gold dust in our house, and I wrote a long involved school story on a wodge of computer printout paper my Dad gave me. When I was a little older, I used to spend my pocket money on refill pads from Woolworths. I wrote an Adrian Mole type diary thing with pictures that was very roughly based on my family. It was the first thing I let them read and it made them laugh – I think that was the first time I thought I might be good at writing. Sadly, I didn’t keep that piece of writing. Sometime after that I must have started writing fantasy, but I don’t remember exactly when.

IP: What influences you most creatively? What were your original influences?

FM: All sorts of things influence me – books, TV programmes, quite often song lyrics or lines from poetry. I have a habit of scrolling through Pinterest looking for images to inspire me and I usually listen to music when I’m writing. Sometimes, a character from a film or TV will spark something.

I’ve always been intrigued by villains and anti-heroes. There’s a bit of a joke in my family that when I was little, the child catcher from Chitty Chitty Bang Bang was my favourite character and I felt sorry for him and that he was misunderstood

I read a lot of school stories as a child – the Chalet School books in particular and I think what I liked about them was the drama in the interactions between the schoolgirls and I think this has carried over into my writing. I remember watching Star Wars and Return of the Jedi and being completely enthralled but again, I think it was the characters more than the story that appealed to me. I think a lot of people say this, but once I read The Lord of the Rings, I knew I wanted to write a fantasy novel. I didn’t even understand it properly the first time round, but it definitely influenced me (the films too) if only to get me reading more fantasy novels.

As a teenager, I read a lot of anthologies of ghost stories. I took them out of the school library, and I think there was a series of them called something like Spectre 1 – 4. I read a lot of teen novels around that time. There was a book called ‘The Outsiders’ by S E Hinton that I loved so much I stole it from the school library. I still read the ‘The Chocolate War’ and ‘Beyond the Chocolate War’ by Robert Cormier every couple of years because I think the way he depicts the misuse of power is very powerful. Those books were probably the first I read where the good guys didn’t win, and the villain wasn’t punished.

When I started writing more seriously – in my early 20’s – I was reading more and more fantasy and writing more of it too. I read a lot of Anne Rice and at the time her lush, descriptive style appealed to me as well as her immortal characters. I was also reading Tad Williams’ epic fantasies and Storm Constantine’s Wraeththu trilogy and out of this mish mash came A Dream and a Lie. It also came about because I couldn’t understand why anyone (even an evil over lord) would want to live in Mordor – it’s horrible and uncomfortable there and orcs are not nice people to have around. That got me thinking of alternatives. So, the Big Bad in A Dream and a Lie lives somewhere that’s quite a bit nicer than some of the places where the good guys live.

ADreamAndALieOriginal Cover Illustration for ‘A Dream and a Lie’ Omnibus
by Ruby

The Wraeththu trilogy was important to my writing because I’d never read anything like it. I loved the characters, the plot and the setting but I also liked the way that it treated with gender. I’d been writing male characters that spoke and behaved in a way I felt was more female and I thought this was a fault with my writing. Reading the Wraeththu books showed me that there were ways round this, things I could do with the building of my worlds and without changing my characters’ personalities

IP: Several of your stories concern life in a humdrum office. Clearly, you have worked in such an office, and have experienced the pitfalls! Can you expand upon your inspirations for these stories?

FM: I’ve worked in a lot of offices, so I guess I’m just writing what I know. There are a lot of small dramas that go on at work and people get very territorial over desks and chairs and stationery. I’ve witnessed arguments over some ridiculous things and seen grown women revert to schoolgirls over whether to have a window open or closed (this resulted in someone very pointedly wearing a winter coat in the office in the height of summer.

There’s a lot of backstabbing and some quite despicable behaviour that goes on but is somehow condoned because it happens at work. In my story ‘Cosmic Ordering for Vampires’ the vampire kills someone because she gets given his desk at the window because she’s more senior than he is. This happened to me in one of the jobs I had, and it just seemed utterly petty to me. I didn’t complain, but I didn’t like it much and I may have harboured some revenge fantasies that have come out in this story! In that same office, the girl I was moved next to, very pointedly moved all her stuff to another desk so she wouldn’t have to sit next to me, and one evening someone took my monitor and chair and then when I came in the next morning I was told ‘no one here would do that’ when my empty desk made it obvious they had. They really didn’t like me there.

In one team I worked in we did a lot of overtime in the evenings and at the weekends. A couple of times, I got there before 8 am on a Sunday morning and there was hardly anyone else in the massive building. It was quite eerie. The lights were on a motion sensor so only came on when you walked under them, past all those empty desks with papers and coffee mugs left on them as if their occupants were expected back at any minute. There were lots of creaking noises and any footsteps from upstairs were amplified because it was so quiet. It was always the same group of people doing overtime and we got to be quite a close knit group. At some point, I thought I’d worked out how to defraud the bank and I was pretty sure at least one of my colleagues would have helped me. So, from all that, I got the ideas for ‘Cosmic Ordering’, ‘The Lottery Lady’ and ‘We Are Not Who We Think We Are’.

I also really enjoy reading about people at work and apart from some chicklit and a few crime novels, I haven’t come across a lot of stories set in offices, so I’ve had to write my own. I’d be interested to know of any fantasy or horror stories set in offices.

9781907737992-Perfect.inddLord of the Looking Glass Cover
by Danielle Lainton

IP: Your stories of a post-apocalyptic world are vivid and strange. How did this world make itself known to you, and what are your plans for it in the future? Could you tell us about your favourite characters in this world?

FM: I’m not sure where this world came from. I suppose it might have come out of what I was reading at the time that I started to conceive of it – the Wraeththu books, Elizabeth Hand’s ‘Winterlong’ and ‘The Stand’ by Stephen King. I was at school during the Cold War and in English lessons we were studying works with a Cold War theme – novels, poetry and short stories and we watched the film ‘Threads’ in class. I don’t remember being very interested in the bomb blast, but in what would happen in the centuries afterwards when there was nothing left but ruins of our world.

I do have plans to write more about this world. The world of ‘The Census-Taker’s Daughter’ appeals to me a lot and I’d quite like to expand this short story into a novel length piece of writing. I’d keep the Sleeping Beauty theme and the talking animals and include the back story around what happened to Maya’s mother. The idea of there only being a finite number of people left in the only inhabitable place in the world, and then an extra person being half glimpsed in the shadows, really interests me.

I’ve also got an idea for a portal fantasy where several cities are interlinked and where one of these is a post-apocalyptic city. I’ve started sketching out a few ideas in a notebook, but it’s a slow progress.

IP: Are the stories of the Blood twins associated with the same world as that of the Walking Man?

Originally, they were, along with the ‘Ginevra Flowerdew’ and ‘The Plague Doctor’ stories. I wrote the stories to try and get some ideas of this world clear in my mind.

The Walking Man is a character/concept that particularly interests me – I’m not sure if I’ve ‘borrowed’ him from a film or a book, I have a niggling feeling in the back of my mind that something inspired him, but I can’t remember what. The idea of a stranger just walking and walking and not actually going anywhere but creating his own mythology along the way appeals to me. I have an idea for a novel that mixes the vampire from ‘Cosmic Ordering for Vampires’ with the Walking Man that really excites me, but I think it’s probably unpublishable.

I’d also like to write some more about the Blood twins, and I can see that having them encounter the Walking Man in one of his many incarnations might be interesting.

IP: How many of your stories are inspired by events and people in real life, and are there any anecdotes you can share about them?

FM: The bridge in ‘Bridge 52’ is a real place in Milton Keynes which is apparently haunted by an Irish labourer who was murdered, and his remains walled up in the supports.

I was part of a lottery syndicate until quite recently and we rarely won anything, and I got the idea for ‘The Lottery Lady’ from that. The mortgage fraud in that story is a little like the fraud I thought I’d worked out how to carry out, and when I was working in that same team, a colleague and I found a staircase in the building we’d never noticed before one day, despite having worked the building for years. All that found its way into ‘The Lottery Lady’.

There are elements of someone I used to know in the character of Terz in ‘A Dream and a Lie’ – the idea that you can get away with doing something despicable if you can make people laugh and you’re fun to be around.

IP: You’re currently working on a revised edition of your trilogy ‘A Dream and a Lie’. Could you talk about how you’ve felt coming back to those novels after quite a long time away from them?

FM: I had mixed feelings about revisiting it. My initial feeling was that it was written and done with and I wasn’t particularly interested in looking at it again, but when I flicked through it, I could see that there were still parts of it that excited me even though it’s probably not what I would write now if I was starting a fantasy novel from scratch.

What surprises me now is the hugeness of the world I created and the sheer number of characters. I didn’t have any plan when I started writing it – I just wrote it without any idea of where it was going. I don’t think I intended on writing something so epic when I started it. The first three or four drafts were hand written and there were a lot of characters (Traize, Nym, Nightshade) who were late additions. Every time I added a new character, I had to start rewriting again at the beginning to weave their story into the plot. Revisiting it now, I can remember those first drafts and how I began to slowly realise I was writing something that might actually go somewhere.

One thing that’s struck me on revising it is the lack of strong female characters in the original, so I’m trying to address that. The beauty of having a shape-shifting, gender-fluid race of people is that this isn’t as problematic as it might be though it hasn’t been as simple as just changing ‘he’ to ‘she’. What’s struck me is how something like changing the gender of characters can change the whole feel of certain scenes. I don’t want to give away any spoilers, but there’s one particular thing that has a completely different feel and much more interesting slant to it when the gender of one of the characters is changed from male to female.

I’ve enjoyed revisiting it and I’m glad I’m doing it. I love it when I come across something that I’d forgotten I’d written, or a description or turn of phrase that surprises me and I find myself thinking ‘Wow, I wrote that’.

IP: What unfinished works and ideas do you have awaiting further development?

FM: Lots of ideas, some that I’ve already mentioned – a vampire/walking man novel; an expanded version of ‘The Census Taker’s Daughter’ and the portal novel I mentioned. I’ve got a crime type novel that I wrote at the same time I was developing A Dream and A Lie that I’d like to do something with and an angels and demons novel that I wrote and have some plans for. I’d also quite like to revisit the world of A Dream and a Lie and write a bit more about what happens next to some of the characters. I started doing this a few years ago but rather infuriatingly I can’t find the file.

IP: What is the strangest/weirdest thing that has ever happened to you?

FM: When I was very little, maybe 3 or 4 years old, I was in the garden with my Dad and there was something grey and metallic in the sky that only I could see. I can see it very clearly in my memory – it looked a bit like a sideways metal pyramid. I pointed at it and asked what it was, but my Dad couldn’t see anything. Strangely, I’ve never given this much thought or questioned what it was or if I just imagined it.

Generally, nothing particularly odd has happened to me – I think I write strange fiction to fill that gap.

IP: Please give details of all social media you’re involved in, so that people can keep up to date with your work.

FM: I’ve got a Facebook page and a Facebook author page that I’ll endeavour to keep up to date. I also have a website at fionamcgavin.co.uk where I’m keeping a weekly blog about my reading, writing and other stuff that interests me. I’ve also got a Good Reads author page.

Strindberg’s Ghost Sonata by Tanith Lee

Tanith Lee wrote hundreds of short stories, not only for big, prestigious anthologies and magazines, but for small press publications that might not have reached so wide an audience. Many of these stories have remained uncollected, unseen by the majority of Tanith’s avid readers. Immanion Press will be releasing three collections in 2019, featuring these rare gems of literature.

The first, ‘Strindberg’s Ghost Sonata and Other Uncollected Tales’ came out this month.  The stories included are: Strindberg’s Ghost Sonata, Among the Leaves so Green, Ceres Passing, Cold Spell, Felidis, Goldenhair, Last Drink Bird Head, Herowhine, In the Balance, The Origin of Snow, The Pain of Glass, Question a Stone, A Tower of Arkrondurl, Two Lions, a Witch and the War-Robe, The Woman, Persian Eyes, The Three Brides of Hamid-Dar, Beauty is the Beast, Elvenbrood, and a story that has never been published before – The Iron City. Cover art is by John Kaiine.

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Review PDFs of the book are available upon request by mailing editorial(at)immanion-press(dot)com