Literary Festivals

A list of all literary festivals in Canada & Some US. Literary Festivals can be used by authors to promote themselves, some festivals ask for authors to pay for a booth area, but it might be considered a good investment to have visible presence. I will try to find a list for the USA too. Authors should contact the festival and let them know they are available for lectures and find out if there are options to speak at the festival or have a booth. I should also point out that for booth’s authors may need to have a fair number of their own books in stock to sell.

Book Promotion

You wrote a book! Awesome! You got it published, even more awesome! But, what now? The question that comes to every author is how to promote that book in an effective way. The fact is that not many publishers offer publicity any more, it is costly and often is not done for anyone who is ‘new’ to the world of writing, unless you are a known name the chances of free promotion is next to impossible and even then, an author still has to sell themselves. Continue reading

How To Write Back Covers

As an author the back cover was the most challenging, which is kind of ironic. You would think that writing an entire book would be more of a challenge, but no, the cover was what really stumped me.

However, the back cover can make or break a book. Many people who pick up a book in a shop, skim the back cover and basically decide IF they are even going to read the book! The cover blurb is important, because it is basically an ad to buy your book! You have to entice people, inspire them, convince them the book is worth reading, and do all of that in a few sentences.

Continue reading

Call for Submissions/Writers: Disability Anthology

UPDATE: Call for Submissions now extended to June 1st, 2012

Call for Submissions/Writers:

E-mail for inquiries and submissions: tara.miller21 (at); please put “Immanion Press Anthology Submission”
in your subject line.

Megalithica Books, an imprint of Immanion Press (Stafford, U.K./Portland, OR, U.S.A.) is seeking submissions for a magic
anthology from the perspective of practitioners with disabilities or developmental differences. This includes but is not limited to practitioners with mental, cognitive, emotional, physical or sensory impairments and/or practitioners who are part of the Deaf or Blind community.  We have not come up with a title for the anthology yet. That will hopefully present itself through the contributions.

There is much debate about how the words “disabled” and “disabilities”. For the purpose of this publication; however, we’ll use the World Health Organization’s definition: “Disabilities is an umbrella term, covering impairments, activity limitations, and participation restrictions. An impairment is a problem in body function or structure; an activity limitation is a difficulty encountered by an individual in executing a task or action; while a participation restriction is a problem experienced by an individual in involvement in life situations.”

This anthology is intended to explore magical, occult, and esoteric topics from the view points of practitioners who are disabled or part of the Deaf and Blind community. Equality and access within the magic/Pagan community and society in general are important issues. You can include them as a part of your submission but not the whole. Keep in mind that addressing such topics aren’t the sole purpose of this anthology. When thinking about your submission consider what rituals and practices are or have been most beneficial to you. What mystical or magical experiences or knowledge shaped your life for the better? Contributers can be from any magical background or tradition. With all Megalithica publications, the intention with this anthology is to go beyond introductory matters whenever possible.

We are accepting: essays (academic and personal), short rituals, prayers, meditations, activities, or spells (not lists of correspondences)

We are especially interested in rituals that take into account limited mobility or immobility, sight impairments, and
rituals for the Deaf and blind. Also, some practitioners with disabilities have limited attention spans and would benefit from shorter rituals that include minimal visualization.

Some suggested topics:

Practicing magic in hospitals or other facilities. How can you improvise while complying with facility regulations?

Is the state of the body and mind a reflection of a persons purity or power? Is it a sign of the practitioner working
out past wrongs?

Psychological or physical emergencies as shamanic or magical breakthroughs.

Do we choose our bodies and experiences? Do the Gods/Goddesses or Divinity create our bodies or experiences this way for a

Medical symbols and their Pagan history and magical properties. How to enchant and use these symbols.

Gods and Goddesses of Health- such as Asclepius and his daughters. For example: Hygieia whose name is the source of
the word hygiene. There is a lot of Pagan history in the medical community.

How to discern spirits, entities and magical experiences when you are dealing with health issues that can impair judgment
such as being on pain medication, dealing with mental illness, etc.

How a disability or impairment offers a new perspective on magic practice and theory.

How communing with nature has it’s rewards (i.e. ecopsychology or closeness to a specific God(dess) etc.) and challenges
(i.e.  mobility issues)

Working magic with companion and/or guide animals or stories about their spiritual significance.

What are some ways to find self-acceptance and empowerment?

Viewing scars from surgery, injury or otherwise as part of your story or “battle scars” or proof of survival.

From the first diagnosis of disease or disability to the loss of a physical function or independence, we feel grief.
How can we cope with grief?

Ways to mend the fragmented self i.e. lucid dreaming, soul retrieval, astral travel.

Working with archetypes or mythic images.

These suggestions barely touch the myriad of possibilities. We’re interested in any other topics contributors wish to explore. It’s your voices that will make this anthology powerful and possible.

Requirements for submission:

Citations for all quoted, paraphrased, or otherwise unoriginal material

Bibliography for works cited

Use the Modern Language Association (MLA)

Send the file in Word or RTF format

Do write in your voice! If you’re academically inclined or trained, feel free to be as intelligent and technical as you like. If your work entirely speaks in the first person about your own experience, that is also permissible, but please use a more formal writing style for as much as possible in your piece that is not quoted speech. Unless you do so sparingly, or define your terms (either in the main text or footnotes), DO NOT use lolcat-speak, text message speak, or anything else that could be considered para-English. Our lives are full of abbreviations and “lingo” which we understand but others may not, even people with different disabilities. Please define any “lingo” you use such as Talk Doc (psychotherapist) or P Doc (psychologist) or medical abbreviations. Rough drafts are due March 01, 2012. These drafts will be edited in a back-and-forth process with the editor. Essays need to be 1500-4000 words, although if your work falls outside those limits, do submit it – we can discuss this during the editing process. Do drop me an email if you are unsure whether your idea fits into the content. We hope to include many voices and the sooner you start the communication process the better.

If your essay is not accepted for the anthology, we will tell you after the first round of edits. All contributors will be provided with a contract upon final acceptance of their essays, not when they are accepted for editing. Compensation will be a free print copy or an e-book of the anthology when it is published and additional copies sold at 40% off the cover price to contributers.

The anthology will be edited by Tara “Masery” Miller. Her blog, the Staff of Asclepius, is featured in the Pagan Portal at It’s for Pagans with mental, physical or sensory impairments; who are in recovery from major injuries or addiction; and/or who are members of the Deaf or Blind community. “It’s a place to share how a spiritual and magical life gives us strength or peace through all of life’s joys and struggles. There are also news updates and interviews with Pagans and experts on various topics affecting the community.”  She has Turner Mosaic which created a massive failure of her endocrine system causing many health problems.

Immanion Press is a small independent press based in the United Kingdom. Founded by author Storm Constantine in 2003, it
expanded into occult nonfiction in 2004 with the publication of Taylor Ellwood’s Pop Culture Magick. Today, Immanion’s nonfiction line, under the Megalithica Books imprint, has a growing reputation for edgy, experimental texts on primarily intermediate and advanced pagan and occult topics. Find out more at

Artist Endorsement

If you are an author that had a cover designed by an artist, and loved their work, we would like to hear from you! I know personally I never understood the whole drawing thing, I am no artist, the best I can manage is stick figure people 🙂

But, I think our covers are the best! The artists work very hard to capture the idea of the author and come up with wonderful art that really does in my opinion at least mirror art to words.

If you have an artist that you love and would like to recommend that artist to other authors please post their link and comment here for other authors to read. I would ask that you post links to the artists when possible so that others can visually see the artists work.